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		<title><![CDATA[Dogs Portraits |Horse Portraits | People Portraits | Forum - All Forums]]></title>
		<link>http://www.dogsportraits.com/forum/</link>
		<description><![CDATA[Dogs Portraits |Horse Portraits | People Portraits | Forum - http://www.dogsportraits.com/forum]]></description>
		<pubDate>Fri, 03 Sep 2010 06:43:20 -0600</pubDate>
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			<title><![CDATA[Afghans]]></title>
			<link>http://www.dogsportraits.com/forum/thread-73.html</link>
			<pubDate>Sun, 08 Aug 2010 10:37:46 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-73.html</guid>
			<description><![CDATA[Afghan Hound History<br />
The Afghan Hound originates from Afghanistan, and was originally bred for hunting, for which he was ideal because of his speed, agility, and long legs. A member of the Greyhound family, this is a breed that enjoys a long history, dating back thousands of years. The Afghan was first registered with the AKC in 1926. <br />
<br />
<br />
Afghan Hound Temperament<br />
The <a href="http://www.pet-art.org.uk" target="_blank">Afghan Hound</a> is a lively and active dog with a very individual personality. If neglected they can become bored and destructive. They <a href="http://www.pet-art.org.uk" target="_blank">Afghan Hound</a> are therefore best suited to those with some experience of dog ownership and training, as their stubborn streak can make training quite a challenge. Housebreaking can also be a challenge with this breed. <br />
These cautious dogs can be suspicious around strangers, and are often seen as aloof. They will bark to raise an alarm, and this makes them effective watchdogs. A well socialized Afghan should get on okay with other dogs, and will also get on well with older and more considerate children. Care should be taken around smaller animals, as he may chase them. He does need a fair amount of exercise, and is therefore not best suited to inactive families.<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[Afghan Hound History<br />
The Afghan Hound originates from Afghanistan, and was originally bred for hunting, for which he was ideal because of his speed, agility, and long legs. A member of the Greyhound family, this is a breed that enjoys a long history, dating back thousands of years. The Afghan was first registered with the AKC in 1926. <br />
<br />
<br />
Afghan Hound Temperament<br />
The <a href="http://www.pet-art.org.uk" target="_blank">Afghan Hound</a> is a lively and active dog with a very individual personality. If neglected they can become bored and destructive. They <a href="http://www.pet-art.org.uk" target="_blank">Afghan Hound</a> are therefore best suited to those with some experience of dog ownership and training, as their stubborn streak can make training quite a challenge. Housebreaking can also be a challenge with this breed. <br />
These cautious dogs can be suspicious around strangers, and are often seen as aloof. They will bark to raise an alarm, and this makes them effective watchdogs. A well socialized Afghan should get on okay with other dogs, and will also get on well with older and more considerate children. Care should be taken around smaller animals, as he may chase them. He does need a fair amount of exercise, and is therefore not best suited to inactive families.<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[The cat is the animal ...]]></title>
			<link>http://www.dogsportraits.com/forum/thread-72.html</link>
			<pubDate>Mon, 12 Jul 2010 23:01:17 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-72.html</guid>
			<description><![CDATA[The <a href="http://www.pet-art.org.uk" target="_blank">cat</a> is the animal to whom the Creator gave the biggest eye, the softest fur, the most supremely delicate nostrils, a mobile ear, an unrivaled paw and a curved claw borrowed from the rose-tree." <br />
 Sidonie Gabrielle quotes<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[The <a href="http://www.pet-art.org.uk" target="_blank">cat</a> is the animal to whom the Creator gave the biggest eye, the softest fur, the most supremely delicate nostrils, a mobile ear, an unrivaled paw and a curved claw borrowed from the rose-tree." <br />
 Sidonie Gabrielle quotes<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[Lady saves dog from train]]></title>
			<link>http://www.dogsportraits.com/forum/thread-71.html</link>
			<pubDate>Thu, 08 Jul 2010 23:45:56 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-71.html</guid>
			<description><![CDATA[On Friday, at the Bryn Mawr train station, Rein reacted as one who considers a dog as family. Taz had become agitated and strayed onto the tracks, and Rein stepped off the platform.<br />
<br />
Before she could cradle the dog and stand up, the train was on her, a witness said. Rein, 44, of Center City, a student of Islamic art and architecture, died instantly of massive injuries, police said.<br />
<br />
Taz was thrown clear of the train and is recovering from a dislocated hip and fractured femur, said a spokesman for the Montgomery County SPCA, where the dog was taken. After treatment, Taz was adopted Sunday by a family member.<br />
<br />
"To Michelle, her dog was like her child, and she did what any mother would do," Rein's cousin, Gary Rosen, said in a comment posted on the Save Ardmore Coalition website. "Everyone is just stunned. It is hard to believe."<br />
<br />
According to family and friends, Rein suffered from chronic regional pain syndrome, an autoimmune illness that incapacitates its victims.<br />
<br />
"It made it very difficult for her to type and carry things," said Holly Pittman, chairman of the University of Pennsylvania's art history department, who was her mentor.<br />
<br />
Despite her ailment, Rein did research, lectured, and traveled widely. Her specialties were Islamic art and women's traditions in Morocco, Pittman said.<br />
<br />
"She was such a wonderful presence around the department," Pittman said.<br />
<br />
Rein's most recent assignment, in the fall of 2008, was that of adjunct professor in the history department at Villanova University. She taught a course called Women in the Middle East, said university spokesman Jonathan Gust.<br />
<br />
On Friday, Rein was returning with her dog and laptop from Villanova, where she had gone to do research, said her father, Irwin Rein.<br />
<br />
Witnesses disagree on whether the<a href="http://www.pet-art.org.uk" target="_blank"> dog</a> was wearing a leash when it bolted onto the tracks. Sarah M. Brennan, a Radnor paralegal who was on the train, said minutes after the accident that she saw the dog in a bystander's arms with a leash and a green vest on.<br />
<br />
Another eyewitness recalled seeing the vest but not the leash. SPCA officials said the <a href="http://www.petportraits.co.cc" target="_blank">dog</a> was not wearing even the vest when they saw it Friday night.<br />
<br />
Rein was born in Bergen County, N.J, where she attended Wyckoff High School. She graduated from the University of California at Santa Cruz in 1989 with a degree in art history. She earned a master's degree in 1997 in Islamic Indian architecture and epigraphy from the University of Pennsylvania's Department of History.<br />
<br />
In 1998, she began work on a doctorate about Islamic art and architecture, and had passed qualifying examinations when "her disease got the best of her," Irwin Rein said.<br />
<br />
"The university was very good to her. It kept her in the program anyway," he said.<br />
<br />
Rein spoke Arabic and had trained in the Moroccan and Berber dialects, her father said. From 1998 to 1999, she was awarded a Fulbright scholarship to study in Morocco toward her dissertation. In 2002 and 2003, she studied under a Woodrow Wilson fellowship keyed to religion.<br />
<br />
She lectured at the Philadelphia Museum of Art, at a Congress of the History of Art in London, and at the State University of New York. Her publications included entries in the Encyclopedia of Women and Islamic Cultures.<br />
<br />
Irwin Rein said his daughter was active in women's rights in the Arab world. Four years ago, he said, she attended a conference in Iran, but she was detained by Iranian police when she went to the airport to leave.<br />
<br />
She spent several days under arrest and was released after the U.S. State Department intervened, he said.<br />
<br />
"Go directly to the airport and get out," she was counseled, her father said. She did and arrived home safely.<br />
<br />
She is survived by her mother, Marsha; a brother, Jeffrey; and a sister, Stephanie, who adopted Taz.<br />
<br />
Her father said his daughter was a devoted fan of the Grateful Dead and traveled all over the country to hear the group perform. He said he expected fans who were her friends to attend her funeral service Tuesday.<br />
<br />
The service will be at 11:30 a.m. at Menorah Chapel, 2950 Vaux Hall Rd., Vaux Hall, N.J. Interment will be in Mount Lebanon Cemetery, Iselin, N.J.<br />
<br />
Donations may be made to the Ryan Hospital Charitable Care Fund, <a href="http://www.vet.upenn.edu/giving." target="_blank">http://www.vet.upenn.edu/giving.</a> Ryan is the veterinary hospital in Philadelphia where Taz is receiving additional treatment.<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><br />
<span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[On Friday, at the Bryn Mawr train station, Rein reacted as one who considers a dog as family. Taz had become agitated and strayed onto the tracks, and Rein stepped off the platform.<br />
<br />
Before she could cradle the dog and stand up, the train was on her, a witness said. Rein, 44, of Center City, a student of Islamic art and architecture, died instantly of massive injuries, police said.<br />
<br />
Taz was thrown clear of the train and is recovering from a dislocated hip and fractured femur, said a spokesman for the Montgomery County SPCA, where the dog was taken. After treatment, Taz was adopted Sunday by a family member.<br />
<br />
"To Michelle, her dog was like her child, and she did what any mother would do," Rein's cousin, Gary Rosen, said in a comment posted on the Save Ardmore Coalition website. "Everyone is just stunned. It is hard to believe."<br />
<br />
According to family and friends, Rein suffered from chronic regional pain syndrome, an autoimmune illness that incapacitates its victims.<br />
<br />
"It made it very difficult for her to type and carry things," said Holly Pittman, chairman of the University of Pennsylvania's art history department, who was her mentor.<br />
<br />
Despite her ailment, Rein did research, lectured, and traveled widely. Her specialties were Islamic art and women's traditions in Morocco, Pittman said.<br />
<br />
"She was such a wonderful presence around the department," Pittman said.<br />
<br />
Rein's most recent assignment, in the fall of 2008, was that of adjunct professor in the history department at Villanova University. She taught a course called Women in the Middle East, said university spokesman Jonathan Gust.<br />
<br />
On Friday, Rein was returning with her dog and laptop from Villanova, where she had gone to do research, said her father, Irwin Rein.<br />
<br />
Witnesses disagree on whether the<a href="http://www.pet-art.org.uk" target="_blank"> dog</a> was wearing a leash when it bolted onto the tracks. Sarah M. Brennan, a Radnor paralegal who was on the train, said minutes after the accident that she saw the dog in a bystander's arms with a leash and a green vest on.<br />
<br />
Another eyewitness recalled seeing the vest but not the leash. SPCA officials said the <a href="http://www.petportraits.co.cc" target="_blank">dog</a> was not wearing even the vest when they saw it Friday night.<br />
<br />
Rein was born in Bergen County, N.J, where she attended Wyckoff High School. She graduated from the University of California at Santa Cruz in 1989 with a degree in art history. She earned a master's degree in 1997 in Islamic Indian architecture and epigraphy from the University of Pennsylvania's Department of History.<br />
<br />
In 1998, she began work on a doctorate about Islamic art and architecture, and had passed qualifying examinations when "her disease got the best of her," Irwin Rein said.<br />
<br />
"The university was very good to her. It kept her in the program anyway," he said.<br />
<br />
Rein spoke Arabic and had trained in the Moroccan and Berber dialects, her father said. From 1998 to 1999, she was awarded a Fulbright scholarship to study in Morocco toward her dissertation. In 2002 and 2003, she studied under a Woodrow Wilson fellowship keyed to religion.<br />
<br />
She lectured at the Philadelphia Museum of Art, at a Congress of the History of Art in London, and at the State University of New York. Her publications included entries in the Encyclopedia of Women and Islamic Cultures.<br />
<br />
Irwin Rein said his daughter was active in women's rights in the Arab world. Four years ago, he said, she attended a conference in Iran, but she was detained by Iranian police when she went to the airport to leave.<br />
<br />
She spent several days under arrest and was released after the U.S. State Department intervened, he said.<br />
<br />
"Go directly to the airport and get out," she was counseled, her father said. She did and arrived home safely.<br />
<br />
She is survived by her mother, Marsha; a brother, Jeffrey; and a sister, Stephanie, who adopted Taz.<br />
<br />
Her father said his daughter was a devoted fan of the Grateful Dead and traveled all over the country to hear the group perform. He said he expected fans who were her friends to attend her funeral service Tuesday.<br />
<br />
The service will be at 11:30 a.m. at Menorah Chapel, 2950 Vaux Hall Rd., Vaux Hall, N.J. Interment will be in Mount Lebanon Cemetery, Iselin, N.J.<br />
<br />
Donations may be made to the Ryan Hospital Charitable Care Fund, <a href="http://www.vet.upenn.edu/giving." target="_blank">http://www.vet.upenn.edu/giving.</a> Ryan is the veterinary hospital in Philadelphia where Taz is receiving additional treatment.<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><br />
<span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[The quick brown fox jumps over the lazy dog"]]></title>
			<link>http://www.dogsportraits.com/forum/thread-70.html</link>
			<pubDate>Thu, 08 Jul 2010 23:36:51 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-70.html</guid>
			<description><![CDATA[Did you know that "The quick brown fox jumps over the lazy dog" has every letter in the alphabet and is widely used to test the keys on typewriters?<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[Did you know that "The quick brown fox jumps over the lazy dog" has every letter in the alphabet and is widely used to test the keys on typewriters?<br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[Can you believe this-amazing !!!]]></title>
			<link>http://www.dogsportraits.com/forum/thread-69.html</link>
			<pubDate>Thu, 08 Jul 2010 23:29:46 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-69.html</guid>
			<description><![CDATA[Name:Protest Starving Dog 'Artist' Guillermo Habacuc Vargas at Bienal HondurasCategory:Common Interest - Beliefs &amp; CausesDescription:In 2007, artist Guillermo Vargas tied a starving, sick street dog to a rope in an art gallery and seemingly starved him to death while people looked on. He considered this his artistic masterpiece. Worse yet, he has been invited to do it again this year at the Bienal Honduras art exhibition!<br />
<br />
The original exhibit lasted for several days, with visitors coldly watching on as the dog, who clearly needed medical attention, food, water and love-- withered away. The dog eventually died, widely assumed to be because of starvation (the gallery disputes this, claiming the dog was killed by other dogs!). <br />
<br />
But this is not all – the Arts Biennial of Central America (in Honduras) has invited Vargas to repeat this cruelty in 2008 in his exhibition at the biennial.<br />
<br />
If you are like us and think that this is cruelty parading as art, join us in stopping him! You can learn more, see videos of the cruelty, and go to the petition page from here (and please add your own information and thoughts for others):<br />
<a href="http://www.experienceproject.com/group_profile.php?g=100838&amp;ref=fg" target="_blank">http://www.experienceproject.com/group_p...838&#x26;ref=fg</a><br />
<br />
Here is a LIVE PETITION:<br />
<a href="http://www.experienceproject.com/mk/walls/starving-dog-art-protest.php?ref=fg" target="_blank">http://www.experienceproject.com/mk/wall...php?ref=fg</a><br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[Name:Protest Starving Dog 'Artist' Guillermo Habacuc Vargas at Bienal HondurasCategory:Common Interest - Beliefs &amp; CausesDescription:In 2007, artist Guillermo Vargas tied a starving, sick street dog to a rope in an art gallery and seemingly starved him to death while people looked on. He considered this his artistic masterpiece. Worse yet, he has been invited to do it again this year at the Bienal Honduras art exhibition!<br />
<br />
The original exhibit lasted for several days, with visitors coldly watching on as the dog, who clearly needed medical attention, food, water and love-- withered away. The dog eventually died, widely assumed to be because of starvation (the gallery disputes this, claiming the dog was killed by other dogs!). <br />
<br />
But this is not all – the Arts Biennial of Central America (in Honduras) has invited Vargas to repeat this cruelty in 2008 in his exhibition at the biennial.<br />
<br />
If you are like us and think that this is cruelty parading as art, join us in stopping him! You can learn more, see videos of the cruelty, and go to the petition page from here (and please add your own information and thoughts for others):<br />
<a href="http://www.experienceproject.com/group_profile.php?g=100838&amp;ref=fg" target="_blank">http://www.experienceproject.com/group_p...838&ref=fg</a><br />
<br />
Here is a LIVE PETITION:<br />
<a href="http://www.experienceproject.com/mk/walls/starving-dog-art-protest.php?ref=fg" target="_blank">http://www.experienceproject.com/mk/wall...php?ref=fg</a><br />
<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[The importance of grayed colours]]></title>
			<link>http://www.dogsportraits.com/forum/thread-68.html</link>
			<pubDate>Tue, 06 Jul 2010 23:37:21 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-68.html</guid>
			<description><![CDATA[Too intense colour can ruin a<a href="http://www.pet-art.org.uk" target="_blank"> painting</a>, because the colours will appear to fight against each other for attention. Graying down a colour will allow you to use more of it.<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[Too intense colour can ruin a<a href="http://www.pet-art.org.uk" target="_blank"> painting</a>, because the colours will appear to fight against each other for attention. Graying down a colour will allow you to use more of it.<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[The value to having a live model]]></title>
			<link>http://www.dogsportraits.com/forum/thread-67.html</link>
			<pubDate>Tue, 06 Jul 2010 23:30:02 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-67.html</guid>
			<description><![CDATA[You can view her, look around her, view her from different angles, see all the wonderful subtle colours that photography will never capture. You may not get the exact replica of the person, but by you will come out with a painting that is full of life. <br />
<br />
Because time is short, you will cut out all the "noodling" and fussing with minor details, which is a great plus. Your painting may be a little rough to start with, but will make it exciting. Not overstudied and overworked.<br />
<br />
Is it more difficult drawing from life - perhaps,, but see your challenge not as a search for likeness, but simply a springboard to exciting painting. - Harley Brown<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[You can view her, look around her, view her from different angles, see all the wonderful subtle colours that photography will never capture. You may not get the exact replica of the person, but by you will come out with a painting that is full of life. <br />
<br />
Because time is short, you will cut out all the "noodling" and fussing with minor details, which is a great plus. Your painting may be a little rough to start with, but will make it exciting. Not overstudied and overworked.<br />
<br />
Is it more difficult drawing from life - perhaps,, but see your challenge not as a search for likeness, but simply a springboard to exciting painting. - Harley Brown<br />
<br />
<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
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			<title><![CDATA[Pet Portraits-Tribute to your Pets]]></title>
			<link>http://www.dogsportraits.com/forum/thread-66.html</link>
			<pubDate>Sun, 28 Mar 2010 11:43:53 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-66.html</guid>
			<description><![CDATA[<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits </span>– </a>Glorious tribute to your pets<br />
Typically <a href="http://www.pet-art.org.uk" target="_blank"><span style="font-weight: bold;">pet portraits</span></a> are created by hand and are usually cherished masterpieces that are preserved in any room. Pets such as dogs serve as valuable companions in times of stress and strain, joy and sorrow as well as in good and bad times. They never let you down no matter how hard a day you would have had as they come by to welcome you no matter which corner of the house they may be resting in.<span style="font-weight: bold;"> <a href="http://www.portraitsofdogs.co.cc" target="_blank">Pets</span></a> are such wonderful friends that they can sense your moods, emotions and sit by you when you are down and low. You cannot help but be pepped up with their presence in your life. In fact research has proven that pets help people fight depression and other mental disorders faster than those who don’t have them. In fact the occurrences of mental depression and similar ailments are far lesser in people who own pets as they are constantly happy and feel cared for. So don’t you think your special pets be it dogs, cats, or horses need to be treated in a special way and have their own place not only in your hearts but also in your home? <a href="http://www.petportraits.co.cc" target="_blank">Pet portraits </a>are ideal tributes to your pets as they can be adorned on any special wall of your choice or you can frame the portraits and place them on your office tables or on your study desks. There are many artists online who can help you with creating a wonderful portrait of your beloved pet whose memories remain immortal in the soft corner of your heart.<a href="http://www.pet-art.org.uk" target="_blank"> <span style="font-weight: bold;">Pet portraits</span></a> are created using many mediums such as oil paintings, acrylics, pencil sketches and so on or you can simply ask the artist to use the photograph of your pet as a subject to design the painting. In previous times, an artist would require that the subject sit for hours together sitting stationary in one place with the required pose to complete an oil painting. It is definitely not possible for your pet to stay in one place for long time. Artists these days therefore use many sophisticated mediums and techniques to replicate the photo of your pet into remarkable <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portraits</a>. Whenever anyone takes a look at the pet portraits displayed in your home, they would definitely get reminded of the pet’s noble qualities such as bonding companionship, trust and loyalty which epitomize your pet perfectly.]]></description>
			<content:encoded><![CDATA[<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits </span>– </a>Glorious tribute to your pets<br />
Typically <a href="http://www.pet-art.org.uk" target="_blank"><span style="font-weight: bold;">pet portraits</span></a> are created by hand and are usually cherished masterpieces that are preserved in any room. Pets such as dogs serve as valuable companions in times of stress and strain, joy and sorrow as well as in good and bad times. They never let you down no matter how hard a day you would have had as they come by to welcome you no matter which corner of the house they may be resting in.<span style="font-weight: bold;"> <a href="http://www.portraitsofdogs.co.cc" target="_blank">Pets</span></a> are such wonderful friends that they can sense your moods, emotions and sit by you when you are down and low. You cannot help but be pepped up with their presence in your life. In fact research has proven that pets help people fight depression and other mental disorders faster than those who don’t have them. In fact the occurrences of mental depression and similar ailments are far lesser in people who own pets as they are constantly happy and feel cared for. So don’t you think your special pets be it dogs, cats, or horses need to be treated in a special way and have their own place not only in your hearts but also in your home? <a href="http://www.petportraits.co.cc" target="_blank">Pet portraits </a>are ideal tributes to your pets as they can be adorned on any special wall of your choice or you can frame the portraits and place them on your office tables or on your study desks. There are many artists online who can help you with creating a wonderful portrait of your beloved pet whose memories remain immortal in the soft corner of your heart.<a href="http://www.pet-art.org.uk" target="_blank"> <span style="font-weight: bold;">Pet portraits</span></a> are created using many mediums such as oil paintings, acrylics, pencil sketches and so on or you can simply ask the artist to use the photograph of your pet as a subject to design the painting. In previous times, an artist would require that the subject sit for hours together sitting stationary in one place with the required pose to complete an oil painting. It is definitely not possible for your pet to stay in one place for long time. Artists these days therefore use many sophisticated mediums and techniques to replicate the photo of your pet into remarkable <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portraits</a>. Whenever anyone takes a look at the pet portraits displayed in your home, they would definitely get reminded of the pet’s noble qualities such as bonding companionship, trust and loyalty which epitomize your pet perfectly.]]></content:encoded>
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			<title><![CDATA[Pet Portraits for Pet Pals]]></title>
			<link>http://www.dogsportraits.com/forum/thread-65.html</link>
			<pubDate>Sun, 28 Mar 2010 11:10:50 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-65.html</guid>
			<description><![CDATA[<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet portraits for the Pet Pals!</span> </span></a><br />
Capture the warmth and affection of the friendly paws and furs with life like <a href="http://www.portraitsofdogs.co.cc" target="_blank">portraits </a>of your domestic pets. There are many artists and painters that create wonderful <span style="font-weight: bold;"><a href="http://www.petportraits.co.cc" target="_blank">pet portraits</a></span> of your favorite dogs and cats and you can have them mounted at your chosen place in your home. Pets are incredibly loving friends and make the lives of their owners all the more splendid and beautiful with their presence. If you are a pet lover you would definitely want to preserve and treasure your <a href="http://www.pet-art.org.uk" target="_blank">pet portrait</a> with utmost grace and pride. You can get various styles of <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portraits</a> for your precious pet. Available online are different techniques of paintings and sketches which can give a unique and real finish to the portrait. There are painterly <a href="http://www.petportraits.co.cc" target="_blank">pet portrait</a> styles; Warhol styled pop pet portrait styles, oil painted pet portrait styles and many more innovative techniques to get a realistic picture of your pet on the canvas. Some people prefer <a href="http://www.pet-art.org.uk" target="_blank">pet portraits in pastels</a> and some prefer pencil sketches. Pet portraits are increasing in demand these days as there are many pet lovers who generally treat pets like members of their own family. Just as one would have a family wall with photos of themselves and their loved ones mounted and framed at their favorite spots in their houses,       <span style="font-weight: bold;"><a href="http://www.portraitsofdogs.co.cc" target="_blank">pet portraits</span></a> too are being included in the genre. There are many artists and websites available online who can transform your favorite pet pictures into paintings with the help of many innovative techniques and mediums to capture your best paws and furs friend on a canvas. <a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet portraits</span></a> are in fact fabulous means of immortalizing your pet on a canvas. In fact this is one of the best gifts you can give to other members in the family for their birthdays or any special occasions and they would be thrilled to see their loved pet painted so realistically with a classic finish. All you need to do is to call any of the pet painting artists online and give them a few snapshots or descriptions of your pet and they would choose any medium be it waters colors, oils, ink, pencil, acrylics, or any computer software to replicate the picture of your pet into an amazing and professional portrait. Some artists also take up matting and framing works to provide you a complete <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portrait</a> ready to adorn your family wall.]]></description>
			<content:encoded><![CDATA[<a href="http://www.pet-art.org.uk" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet portraits for the Pet Pals!</span> </span></a><br />
Capture the warmth and affection of the friendly paws and furs with life like <a href="http://www.portraitsofdogs.co.cc" target="_blank">portraits </a>of your domestic pets. There are many artists and painters that create wonderful <span style="font-weight: bold;"><a href="http://www.petportraits.co.cc" target="_blank">pet portraits</a></span> of your favorite dogs and cats and you can have them mounted at your chosen place in your home. Pets are incredibly loving friends and make the lives of their owners all the more splendid and beautiful with their presence. If you are a pet lover you would definitely want to preserve and treasure your <a href="http://www.pet-art.org.uk" target="_blank">pet portrait</a> with utmost grace and pride. You can get various styles of <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portraits</a> for your precious pet. Available online are different techniques of paintings and sketches which can give a unique and real finish to the portrait. There are painterly <a href="http://www.petportraits.co.cc" target="_blank">pet portrait</a> styles; Warhol styled pop pet portrait styles, oil painted pet portrait styles and many more innovative techniques to get a realistic picture of your pet on the canvas. Some people prefer <a href="http://www.pet-art.org.uk" target="_blank">pet portraits in pastels</a> and some prefer pencil sketches. Pet portraits are increasing in demand these days as there are many pet lovers who generally treat pets like members of their own family. Just as one would have a family wall with photos of themselves and their loved ones mounted and framed at their favorite spots in their houses,       <span style="font-weight: bold;"><a href="http://www.portraitsofdogs.co.cc" target="_blank">pet portraits</span></a> too are being included in the genre. There are many artists and websites available online who can transform your favorite pet pictures into paintings with the help of many innovative techniques and mediums to capture your best paws and furs friend on a canvas. <a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet portraits</span></a> are in fact fabulous means of immortalizing your pet on a canvas. In fact this is one of the best gifts you can give to other members in the family for their birthdays or any special occasions and they would be thrilled to see their loved pet painted so realistically with a classic finish. All you need to do is to call any of the pet painting artists online and give them a few snapshots or descriptions of your pet and they would choose any medium be it waters colors, oils, ink, pencil, acrylics, or any computer software to replicate the picture of your pet into an amazing and professional portrait. Some artists also take up matting and framing works to provide you a complete <a href="http://www.portraitsofhorses.co.cc" target="_blank">pet portrait</a> ready to adorn your family wall.]]></content:encoded>
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			<title><![CDATA[www.petportraits.co.cc]]></title>
			<link>http://www.dogsportraits.com/forum/thread-64.html</link>
			<pubDate>Sun, 21 Mar 2010 12:55:35 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-64.html</guid>
			<description><![CDATA[It is sometimes difficult to know what makes a good website. Is it the quality of artwork, speed getting from page to page, simplicity ?<br />
<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></description>
			<content:encoded><![CDATA[It is sometimes difficult to know what makes a good website. Is it the quality of artwork, speed getting from page to page, simplicity ?<br />
<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;"><span style="font-weight: bold;">Pet Portraits</span></span></a>]]></content:encoded>
		</item>
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			<title><![CDATA[Photographing your Dog for Pet Portraits]]></title>
			<link>http://www.dogsportraits.com/forum/thread-63.html</link>
			<pubDate>Sun, 21 Mar 2010 12:43:52 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-63.html</guid>
			<description><![CDATA[When photographing your pet for pet portraits, it is important to get down to the same level. Try not to use a flash !!!<br />
<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[When photographing your pet for pet portraits, it is important to get down to the same level. Try not to use a flash !!!<br />
<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;">Pet Portraits</span></a>]]></content:encoded>
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			<title><![CDATA[Attitude-not talent]]></title>
			<link>http://www.dogsportraits.com/forum/thread-62.html</link>
			<pubDate>Sun, 21 Mar 2010 12:32:42 -0600</pubDate>
			<dc:creator>colinashby</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-62.html</guid>
			<description><![CDATA[The greatest obstacle to drawing pet portraits is not talent, but your attitude. How many of you say that you are not good enough. Practice makes perfect - keep going.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[The greatest obstacle to drawing pet portraits is not talent, but your attitude. How many of you say that you are not good enough. Practice makes perfect - keep going.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="text-decoration: underline;">Pet Portraits</span></a>]]></content:encoded>
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		<item>
			<title><![CDATA[Portrait - Counterfeit - Likeness 3]]></title>
			<link>http://www.dogsportraits.com/forum/thread-61.html</link>
			<pubDate>Thu, 18 Mar 2010 08:45:55 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-61.html</guid>
			<description><![CDATA[Indeed, instead of the likeness of a ruler, coins during the early Middle<br />
Ages would often carry the "imago" or "effigies" of a Roman emperor in<br />
whose dynastic or official succession the ruler of the day - by "translatio<br />
imperii" - saw himself as standing." The actual appearance of a living<br />
prince was therefore less important than the political and social institution<br />
within whose tradition he wished, or demanded, to be seen.<br />
This did not change until the late Middle Ages, when it became unacceptable<br />
to substitute one likeness for another. One may be quite right to<br />
doubt whether an early French profile portrait of King John the Good,<br />
painted c. 1360  at the same time as the portrait of Rudolf IV<br />
of Habsburg, really shows the person named in the inscription. However,<br />
scepticism of this kind is perhaps less appropriate with regard to Jan van<br />
Eyck's Tymotheos portrait especially since the artist has attempted<br />
to dispel such doubts from the outset. The inscription LEAL<br />
SOUVENIR - loyal remembrance - certifies the authenticity of the portrait;<br />
its purpose, not unlike that of a notary's attestation, is to verify the<br />
identity of the likeness and the sitter.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[Indeed, instead of the likeness of a ruler, coins during the early Middle<br />
Ages would often carry the "imago" or "effigies" of a Roman emperor in<br />
whose dynastic or official succession the ruler of the day - by "translatio<br />
imperii" - saw himself as standing." The actual appearance of a living<br />
prince was therefore less important than the political and social institution<br />
within whose tradition he wished, or demanded, to be seen.<br />
This did not change until the late Middle Ages, when it became unacceptable<br />
to substitute one likeness for another. One may be quite right to<br />
doubt whether an early French profile portrait of King John the Good,<br />
painted c. 1360  at the same time as the portrait of Rudolf IV<br />
of Habsburg, really shows the person named in the inscription. However,<br />
scepticism of this kind is perhaps less appropriate with regard to Jan van<br />
Eyck's Tymotheos portrait especially since the artist has attempted<br />
to dispel such doubts from the outset. The inscription LEAL<br />
SOUVENIR - loyal remembrance - certifies the authenticity of the portrait;<br />
its purpose, not unlike that of a notary's attestation, is to verify the<br />
identity of the likeness and the sitter.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
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		<item>
			<title><![CDATA[Portraits Similarity and Idealisation]]></title>
			<link>http://www.dogsportraits.com/forum/thread-60.html</link>
			<pubDate>Thu, 18 Mar 2010 05:16:54 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-60.html</guid>
			<description><![CDATA[However exaggerated we may consider Schopenhauer's Romantic enthusiasm<br />
to be, and however distant his ideas may seem to us now, it can<br />
hardly be denied that portraits continue to fascinate us, especially those of<br />
the period we are considering here. Almost no other genre of painting is<br />
capable of transmitting such an intimate sense of lived presence over so<br />
great a distance in time. This undoubtedly is linked to our subconscious<br />
attribution to the portrait of authenticity: we expect a faithful rendering<br />
that shows us what the sitter was really like.<br />
Leaving aside for a moment the question of whether it is actually<br />
possible to empathise with portraits executed in earlier periods, or whether<br />
psychological explanations based on our own, emotionally-coloured perceptions<br />
are ultimately tenable, it must be pointed out that genuine likenesses<br />
were - in any case - not necessarily always the order of the day.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[However exaggerated we may consider Schopenhauer's Romantic enthusiasm<br />
to be, and however distant his ideas may seem to us now, it can<br />
hardly be denied that portraits continue to fascinate us, especially those of<br />
the period we are considering here. Almost no other genre of painting is<br />
capable of transmitting such an intimate sense of lived presence over so<br />
great a distance in time. This undoubtedly is linked to our subconscious<br />
attribution to the portrait of authenticity: we expect a faithful rendering<br />
that shows us what the sitter was really like.<br />
Leaving aside for a moment the question of whether it is actually<br />
possible to empathise with portraits executed in earlier periods, or whether<br />
psychological explanations based on our own, emotionally-coloured perceptions<br />
are ultimately tenable, it must be pointed out that genuine likenesses<br />
were - in any case - not necessarily always the order of the day.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
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		<item>
			<title><![CDATA[Portrait - Counterfeit - Likeness 2]]></title>
			<link>http://www.dogsportraits.com/forum/thread-59.html</link>
			<pubDate>Thu, 18 Mar 2010 05:15:41 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-59.html</guid>
			<description><![CDATA[Felibien's hierarchical construction implies that individualisation is a<br />
term that can only be used in connection with human beings. Arthur<br />
Schopenhauer, too, in his major philosphical work "The World as Will<br />
and Idea" (1819), contends that animals, because of their species, cannot<br />
be portrayed (Book 3, § 45). Portraits, he wrote, could only be made<br />
of the human countenance and form, whose appearance induced a<br />
"purely aesthetic contemplation" in the spectator, "filling us with an inexpressible<br />
sense of well-being that transcends us and all that tortures our<br />
1 "10<br />
souls.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[Felibien's hierarchical construction implies that individualisation is a<br />
term that can only be used in connection with human beings. Arthur<br />
Schopenhauer, too, in his major philosphical work "The World as Will<br />
and Idea" (1819), contends that animals, because of their species, cannot<br />
be portrayed (Book 3, § 45). Portraits, he wrote, could only be made<br />
of the human countenance and form, whose appearance induced a<br />
"purely aesthetic contemplation" in the spectator, "filling us with an inexpressible<br />
sense of well-being that transcends us and all that tortures our<br />
1 "10<br />
souls.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Portrait - Counterfeit - Likeness 1]]></title>
			<link>http://www.dogsportraits.com/forum/thread-58.html</link>
			<pubDate>Thu, 18 Mar 2010 05:14:46 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-58.html</guid>
			<description><![CDATA[While the French engraver Abraham Bossc (1602-1676) still defined<br />
"portraiture" as "a general word for painting and engraving"7, equating<br />
"portrait" in meaning with "tableau" (a picture or painting), it was Nicolas<br />
Poussin's friend Andre Felibien who first suggested that the term "portrait"<br />
be reserved exclusively for likenesses of (certain) human beings. Felibien<br />
further suggested the use of the term "figure" for the pictorial rendering<br />
of animals, while the term "representation" was to be used for the<br />
depiction of vegetable or inorganic forms, for plants, or, at the very bottom<br />
of the pyramid of being, stones.8<br />
The tendency, inherent in this "modern", anthropocentric terminology,<br />
to draw clear distinctions between humans and other living beings possibly<br />
marks the end of a typically feudal "symbiosis" between animals and<br />
humans. It is perhaps of historical interest here to note that animals were<br />
considered as legal entities or "persons" in the Middle Ages, and that they<br />
could, for example, be brought to trial.''<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[While the French engraver Abraham Bossc (1602-1676) still defined<br />
"portraiture" as "a general word for painting and engraving"7, equating<br />
"portrait" in meaning with "tableau" (a picture or painting), it was Nicolas<br />
Poussin's friend Andre Felibien who first suggested that the term "portrait"<br />
be reserved exclusively for likenesses of (certain) human beings. Felibien<br />
further suggested the use of the term "figure" for the pictorial rendering<br />
of animals, while the term "representation" was to be used for the<br />
depiction of vegetable or inorganic forms, for plants, or, at the very bottom<br />
of the pyramid of being, stones.8<br />
The tendency, inherent in this "modern", anthropocentric terminology,<br />
to draw clear distinctions between humans and other living beings possibly<br />
marks the end of a typically feudal "symbiosis" between animals and<br />
humans. It is perhaps of historical interest here to note that animals were<br />
considered as legal entities or "persons" in the Middle Ages, and that they<br />
could, for example, be brought to trial.''<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Portrait - Counterfeit - Likeness]]></title>
			<link>http://www.dogsportraits.com/forum/thread-57.html</link>
			<pubDate>Thu, 18 Mar 2010 05:12:26 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-57.html</guid>
			<description><![CDATA[Disregarding Judd's implied value judgement, it may be noted that his use<br />
of language, possibly unintentionally, echoes seventeenth-century usage,<br />
in which the terms "portrait" and "likeness" were understood to mean<br />
"pictorial imitation" of any kind, thus equating them with the concept of<br />
representation in general.5 The same is true of the older synonym<br />
"counterfeit" (Lat. "contrafacere" = to imitate). In a book of patterns and<br />
sketches, appropriately enough called his "Livre de portraiture", Villard<br />
de Honnecourt (13th century) used the term "counterfeit" not only to<br />
denote representations of human beings, but also for drawings of animals.''<br />
Only much later did the use of these terms become more restricted, indeed<br />
long after the portrait had established itself as a genre and collections of<br />
portraits of "famous men", or "viri illustres" (like that by Paolo Giovio,<br />
1521) had become highly sought-after collector's items.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[Disregarding Judd's implied value judgement, it may be noted that his use<br />
of language, possibly unintentionally, echoes seventeenth-century usage,<br />
in which the terms "portrait" and "likeness" were understood to mean<br />
"pictorial imitation" of any kind, thus equating them with the concept of<br />
representation in general.5 The same is true of the older synonym<br />
"counterfeit" (Lat. "contrafacere" = to imitate). In a book of patterns and<br />
sketches, appropriately enough called his "Livre de portraiture", Villard<br />
de Honnecourt (13th century) used the term "counterfeit" not only to<br />
denote representations of human beings, but also for drawings of animals.''<br />
Only much later did the use of these terms become more restricted, indeed<br />
long after the portrait had established itself as a genre and collections of<br />
portraits of "famous men", or "viri illustres" (like that by Paolo Giovio,<br />
1521) had become highly sought-after collector's items.<br />
<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Great Age of the Portrait 5]]></title>
			<link>http://www.dogsportraits.com/forum/thread-56.html</link>
			<pubDate>Thu, 18 Mar 2010 05:11:00 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-56.html</guid>
			<description><![CDATA[Only art movements which opposed the academies of the late nineteenth<br />
century - the various Realist, Impressionist and Naturalist secessions -<br />
achieved innovations that broke with the self-aggrandizing manner, as it<br />
now appeared, of an increasingly "nouveau riche" clientele. The few expressive<br />
portraits of the twentieth century have come from artists associated<br />
with openly figurative movements, or from those who have viewed the<br />
critique of society as an integral part of their work. For obvious reasons, the<br />
non-figurative avant-garde radically rejected portraiture. It is therefore<br />
hardly surprising that an artist as well-disposed to abstraction as Don Judd,<br />
one of the most prominent Minimal artists, should declare: "Unfortunately,<br />
art tends to become a likeness, but that's not really what it is."4<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[Only art movements which opposed the academies of the late nineteenth<br />
century - the various Realist, Impressionist and Naturalist secessions -<br />
achieved innovations that broke with the self-aggrandizing manner, as it<br />
now appeared, of an increasingly "nouveau riche" clientele. The few expressive<br />
portraits of the twentieth century have come from artists associated<br />
with openly figurative movements, or from those who have viewed the<br />
critique of society as an integral part of their work. For obvious reasons, the<br />
non-figurative avant-garde radically rejected portraiture. It is therefore<br />
hardly surprising that an artist as well-disposed to abstraction as Don Judd,<br />
one of the most prominent Minimal artists, should declare: "Unfortunately,<br />
art tends to become a likeness, but that's not really what it is."4<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Great Age of the Portrait 4]]></title>
			<link>http://www.dogsportraits.com/forum/thread-55.html</link>
			<pubDate>Thu, 18 Mar 2010 05:09:46 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-55.html</guid>
			<description><![CDATA[Solemn diction cannot conceal a belief expressed in this passage in the<br />
autonomy of the individual. This notion lent metaphysical significance to<br />
the self-regard of a bourgeoisie whose confidence was already heightened<br />
by technical and economic progress, as well as by new opportunities accompanying<br />
geographical expansion and social mobility. But in providing<br />
an appropriately symbolic form for this view of the world, the portrait<br />
fulfilled a function that was appreciated by other ruling strata in society as<br />
well, especially byr those with absolute power.<br />
Even when the bourgeoisie had become more solidly established, images<br />
of individuality evolved during the "heroic era" of portraiture continued<br />
to dominate the genre and to guide its exponents. Against the background<br />
of changed historical circumstances, however, the use of the portrait to<br />
symbolise rank and power inevitably led to derivative or anachronistic<br />
forms and to a dubious kind of pathos (as in the portraits of Franz von<br />
Lenbach during the second half of the nineteenth century). Still officially<br />
cultivated in the nineteenth century, portrait-painting was "certainly not<br />
on its death-bed, but (...) far more rarely practised than it used to be", as<br />
Jakob Burckhardt put it in 1885.3 The growth of photography, a medium<br />
capable of faster, e a s i e r and more faithful reproduction, seemed to confirm<br />
the obsolete nature of the painted portrait with its time-consuming sittings<br />
and laborious sketches. Furthermore, the new technique was considerably<br />
cheaper.<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[Solemn diction cannot conceal a belief expressed in this passage in the<br />
autonomy of the individual. This notion lent metaphysical significance to<br />
the self-regard of a bourgeoisie whose confidence was already heightened<br />
by technical and economic progress, as well as by new opportunities accompanying<br />
geographical expansion and social mobility. But in providing<br />
an appropriately symbolic form for this view of the world, the portrait<br />
fulfilled a function that was appreciated by other ruling strata in society as<br />
well, especially byr those with absolute power.<br />
Even when the bourgeoisie had become more solidly established, images<br />
of individuality evolved during the "heroic era" of portraiture continued<br />
to dominate the genre and to guide its exponents. Against the background<br />
of changed historical circumstances, however, the use of the portrait to<br />
symbolise rank and power inevitably led to derivative or anachronistic<br />
forms and to a dubious kind of pathos (as in the portraits of Franz von<br />
Lenbach during the second half of the nineteenth century). Still officially<br />
cultivated in the nineteenth century, portrait-painting was "certainly not<br />
on its death-bed, but (...) far more rarely practised than it used to be", as<br />
Jakob Burckhardt put it in 1885.3 The growth of photography, a medium<br />
capable of faster, e a s i e r and more faithful reproduction, seemed to confirm<br />
the obsolete nature of the painted portrait with its time-consuming sittings<br />
and laborious sketches. Furthermore, the new technique was considerably<br />
cheaper.<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Great Age of the Portrait 3]]></title>
			<link>http://www.dogsportraits.com/forum/thread-54.html</link>
			<pubDate>Thu, 18 Mar 2010 05:08:37 -0600</pubDate>
			<dc:creator>syedellie</dc:creator>
			<guid isPermaLink="false">http://www.dogsportraits.com/forum/thread-54.html</guid>
			<description><![CDATA[There are cultural and historical correlations between the portraits executed<br />
in the late Middle Ages and early modern era and the idea of human<br />
digmtv so emphatically championed bv Renaissance philosophy. In his<br />
tract "De dignitate hominis", for example, Pico della Mirandola's creatorgod,<br />
described as a "demiurge" (a skilled worker), has this to say of human<br />
destiny: "O Adam, we have not given you a certain abode, nor decided on<br />
any one particular face for you, nor have we provided you with any particular<br />
single ability, for you shall choose whatever dwelling-place pleases you,<br />
whatever features you consider becoming, whatever abilities you desire. All<br />
other beings are limited by natural laws that we have established. But no<br />
boundary shall impede your progress. You shall decide, even over Nature<br />
herself, according to your own free will, for in your hand have I laid your<br />
fate."2<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></description>
			<content:encoded><![CDATA[There are cultural and historical correlations between the portraits executed<br />
in the late Middle Ages and early modern era and the idea of human<br />
digmtv so emphatically championed bv Renaissance philosophy. In his<br />
tract "De dignitate hominis", for example, Pico della Mirandola's creatorgod,<br />
described as a "demiurge" (a skilled worker), has this to say of human<br />
destiny: "O Adam, we have not given you a certain abode, nor decided on<br />
any one particular face for you, nor have we provided you with any particular<br />
single ability, for you shall choose whatever dwelling-place pleases you,<br />
whatever features you consider becoming, whatever abilities you desire. All<br />
other beings are limited by natural laws that we have established. But no<br />
boundary shall impede your progress. You shall decide, even over Nature<br />
herself, according to your own free will, for in your hand have I laid your<br />
fate."2<br />
<a href="http://www.petportraits.co.cc" target="_blank"><span style="font-weight: bold;">Pet Portraits</span></a>]]></content:encoded>
		</item>
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